FilmBig Chicken Serves Up Familiar Fare with Fresh Personality
British comedian Mo Gilligan eats only fast-food fried chicken for 28 days to investigate the poultry industry in…
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FilmCoyote vs. Acme Review: The Looney Tunes Comeback We Almost Lost
Warner Bros. released Coyote vs. Acme, an animated film based on a New Yorker article, after shelving it…
FilmThe Invite Review: Wilde’s Dinner Party From Hell
Olivia Wilde’s The Invite follows a married couple’s dinner party with neighbors that escalates into psychological warfare.
FilmJackass: Best and Last Review — A Franchise Says Goodbye
Jackass: Best and Last compiles highlights and new stunts as the Jackass crew performs one final stunt-filled farewell.
FilmThe Last House Review: A Sealed Home, An Unfulfilled Promise
A Seattle family's home is sealed by an invisible force, trapping them inside with no explanation.
FilmMoana’s Live-Action Voyage Runs Aground on Familiar Shores
Disney’s live-action Moana earned $264 million globally against a $250 million budget, facing a projected $100 million loss.
FilmCamp Miasma and the Sweet Rot of Inheritance
Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma follows a queer filmmaker reviving a transphobic slasher franchise…
FilmOne Night Only Review: A Glossy Romcom Dystopia That Won’t Commit
In a near-future America where premarital sex is criminalized except during a government-sanctioned annual window, two strangers spend…
FilmIce Cream Man Review: A Melted Mess of Splatter
A mute ice cream vendor turns children into violent killers in the horror film Ice Cream Man.
FilmFranchise Shifts Tone in Enola Holmes 3 as Wedding Turns to Thriller
The third Enola Holmes film arrives carrying ambitions it cannot quite support, a coming-of-age story that mirrors its…